Thursday, 18 May 2017


Under are a band from my old stomping grounds of Stockport in the Manchester area I originally heard their "First Attempt" EP  early last year and i reviewed it HERE. Whilst it was a pretty great EP I did feel that maybe they were wearing their Melvins/Big Business influences a little too much on their sleeve so to speak, however this album is a different beast altogether.

I recently went to one of NOIZ Promotions gigs  (Follow them on Facebook  HERE if you live in the NW these guys put on THE BEST bills) headlined by Church of the Cosmic Skull but the added attraction was there were a shitload of other bands playing one of whom were Under whom i didn't even know were playing!!! Under took to the stage and were Immediately MIND BLOWING I could not for the life of me pin them down easily I said to Matt (bass/vocals) after their set that it had blown me away and described their set (much to his immense pleasure) as

"If I had a BAD nightmare about Prog Rock that would have been the soundtrack"

which would pretty much sum this band up!!!! However i am not gonna sell them that short....

Under's debut album "Slick", well, firstly the production is great I was shocked to discover it was done by their guitarist Simon Mayo at Spirit Studio Manchester and in his bedroom!!!. All the instruments cut through the mix perfectly and every nuance of the sound is captured the Bass has real punch and when the guitars need to be heavy or light they are the drums are crisp and clear and the whole sound is clean and nasty!!!!

It has to be said this is a challenging listen that's immediately apparent from the off whilst there's plenty of bottom end it is not the defining sound of this band this is not your usual heavy groove type of thing in fact opening instrumental "Mirth Of Crows" is quit jarring with it's stop start structure and what sounds to me like some late era Black Flag/Voivod-esque discordant guitar signatures and this discordant and off kilter sound and structuring sets the template for the majority of this album. This motif continues through opener proper "Innards" which has some truly mad vocal styles going on from sweet and kinda tuneful to parts that remind me of very early Queen (don't panic!!! just my opinion) to more straightforward style. Don't be put off by my use of the words "discordant" and "jarring" because whilst this album has a lot of that going on it's not detrimental to the music it is in fact the core of their massive sound "Tended Ones" is an absolutely crushing beast of a tune that veers seamlessly from a huge riff into the more off kilter riffing that reminds me a little of a cleaner sounding early SWANS. I am also really impressed with the vocals as well going from a kinda haunting "preach" to conveying anguish effortlessly but without becoming too brutal and the lyrics are discernible,which to my mind is a huge progression from the more Buzzo-esque tones of the debut EP. This album is definitely a mad journey through some truly warped minds here (at least musically speaking as they are very nice lads) the opening strumming on "Tip Creature" with it's whispered vocal is really nice before hitting you with a massive early SWANS meets Early Sabbath riff (no mean feat blending those two) and some quite prog vocals! I can't quite put my finger on it but when these guys blend their heaviness with the discordant riffing it puts me in mind of some of the very early post hardcore/pre stoner bands like Virulence (who later became Fu Manchu) and the first Sleep album (before they got REALLY stoned!) and of course Melvins VERY early stuff!!!

This album is not one that sits easily in the background whilst some of the quieter passages might do, the album never ceases to lose your attention as it constantly surprises, the sheer talent and chops on display here is immense take "Slump" for example the first near 2 minutes is an unholy yet somehow co-ordinated mess of offbeats and guitar that is just mental but it gives way to a MAMMOTH size riff before breaking down into a whirling squall of noise and that's only by the halfway point!!! Returning to the massive riff which is even more crushing second time round before breaking down into a quite eerie ending! Album closer "Below the Wreck" is the longest one on the album at 6 minutes building and building with some great mellow guitar signatures and some of the best vocals on the album but where most bands would build like this then hit you with an utter crusher riff these guys would be selling their sound short by using such an obvious tactic it's a build more in the vein of the truly classic "rock" bands where the temptation to just flatten with volume has been given a far more subtle edge and is far more satisfying for it and it's a fantastic end to what is a truly brilliant album.

I am SERIOUSLY impressed with Under as i stated at the beginning I sold them short with my Melvins comparisons on their debut EP these guys have obviously spent a lot of time perfecting their style and honing their sound till it's razor sharp I am gobsmacked by how completely unique and original this album is. The "heavy" scene in the NW has produced some great and original music over the last couple of years (take someone like Boss Keloid for example) but this band take the biscuit, melding early SWANS harshness with big riffs, progressive structuring, noise rock and some slight nods to their influences all in all on paper this should be an  unlistenable mess but Under have put this together to bring an album that is like nothing else i have heard interesting, captivating and will bear countless rewards upon repeated listens, I have played it many times now and I still feel that I am only scratching the surface! In a scene where Riffs are king to bring out an album as different as this while using a "heavy" template and adding a stark edge is nothing short of a stroke of mad genius and I guarantee that even the most close minded of you cannot fail to absolutely love this album! I really hope that this becomes a big hit everywhere and not just a regional hit for both this great band an brilliant new label (APF records see below) This is an absolute blinder  of an album lads!!!


L-R Andy Preece - Drums and Vocals,  Simon Mayo - Guitar and Vocals, Matt Franklin - Bass and Vocals 

Under FacebookHERE

"Slick" Is out on 31st of May on APF Records

(I Urge you to go follow APF records it's the label of Andrew Field who not only has Under on his roster but also has an EP by Blind Haze and albums by Mastiff and BongCauldron coming out this year all 3 of which are HUGE NXNW favourites and this guy has been at every heavy gig i have been to in Manc and he KNOWS his stuff and deserves the support immensely!!!)

APF Records Facebook - HERE

Wednesday, 14 September 2016


Liverpool's Iron Witch have been a mainstay of the underground heavy scene for near 5 years I have been a huge fan for about 3 of those years I have wrote these guys up before on my other blog (You can check out my other post HERE ) and I now have the pleasure of Bringing you my thoughts on their debut LP "A Harrowed Dawn"

First some background, Having made some demo's for a debut album in 2014 original guitarists Dan & Sam decided to part company with the band Leaving the Core Trio of Will Adams - Drums, Chris Fane - Vocals & Rick Owen - Bass where this would be disastrous for most bands these guys are such firm believers in what they do a reshuffle was in order, vocalist Chris Fane moved to guitar and Dave Mould from Iron Witch side project Siege Mentality was drafted in to take over vocals and Mark Hughes from local heavyweight sludgers Crypt Lurker joined on 2nd guitar. Ladies and gentleman we have the new improved Iron Witch 2016!

Recorded by Chris Fielding at the awesome Skyhammer studios and mastered by Brad Boatright at Audiosiege the sound of this album is and not overstating things here, immense, What's immediately apparent is that these guys have cleaned up their sound drastically I had always loved what Iron Witch do, their North West England take on the filthy sound of the likes of Eyehategod , Buzzov.en etc was great, however despite loving their sound I found the actual songs sometimes hard to discern from one another, This is not the case here, Iron Witch have now formed a sound that is something that is very different from their original sound whilst still retaining their best elements and certainly on the album the sound is presented clean and bright yet still hard as nails and CRUSHINGLY heavy! I had the pleasure of seeing this new re-invigorated line up before the album came out and let me tell you, live, this new material was utterly destroying and of the 3 times I've seen them this was by far the best and Dave Mould is most definitely an imposing and capable frontman...

First off there is no actual "gaps" between the first 3 songs which is great because it flows like a 3 piece "movement" as well as working as individual songs, opener "Beauty & Rot" begins with some deceptively light picking and some gentle cymbal wash which creates a nice somber mood and as the guitars come in piece by piece it gives a real sense of dread but as soon as that first snare hit and all the instruments come in together it's what i like to call a "FUUUUUCK" moment anyone who doesn't want to just grip the nearest surface grit your teeth and start slow-motion-snapping-your-neck to this monstrous riff well you're definitely reading the wrong blog! Dave Mould providing exactly the kind of unholy roar to compliment the music perfectly, however after just smashing the heavy riff for the first part of the song the nice surprise was the perfectly executed lurch in tempo into the kinda mid paced dirty sludge riffing these guys are known for! These lurches in tempo seem to be a bit of a "motif" for the album and it works brilliantly without jarring the listener or detracting from the slower parts, in second track "Salvation through Nothing" which moves seamlessly from slow heavy riffing to a more mid paced crunch to a spiraling sludge riff that is almost dizzying in the way it spins round the pounding drums (by the way the drums sound AMAZING throughout  a real deep woody thunk to the snare and a real punch in the gut feel to the bass drum an important factor in this kinda music i think some bands tend to underplay). "Machinery through Violence" concludes this opening triptych of tunes beginning with some great effected guitar which gives a real classic Doom metal feel to the intro something that I for one am happy to see rearing it's head in Iron Witch's sound there's a bridge riff which is just heavy as fuck but it's over so quickly you barely got your nod on! However it's the building, dare i say it almost "melodic" guitar work moving in stark contrast to the pounding drums and howling vocals that create something truly astounding for a band this heavy! This all folds down into a brilliantly heavy ending giving you your first breathing space for 15 solid minutes!

So after having a few seconds to catch your breath "Under The Fire" Opens with riffing and drums that put me in mind of early Swans & Godflesh something that was a bit of a surprise to me, but the bleak discordance works well and gives way to a loping mid paced riff which is pure Celtic Frost and back and forth's with an utterly punishing sludge riff which descends into a nice lead break before the song deconstructs into fading feedback, deep bass and drums and this is definitely one of my favorites on the album! "Belly Full Of Rats" to my mind is the only true "Iron Witch business as usual" song on here whilst the band have progressed beyond measure from their original incarnation this song is pure Iron Witch albeit with a less sludgy and more doomy feel and a big progression on their past glories taking the sound to new levels of despair and then crushing it down to a sheer bloody minded oozing riffage!

Whilst if you're a fan of this band this album is chock full of surprises and new fresh ideas it's album closer "Solitude and Decay" that is the real shocker here making up nearly a third of the albums length at nearly 13 mins long it's here for me that a serious move forward in sound and idea is felt the most! I would not have expected a song this long from these guys, i assure you it's not out of lack of descriptive terms or laziness here whilst I may have gone a bit in depth on the other songs I feel i may be blowing some of the "Surprise" element to hearing an album for the first time especially for anyone who was already a fan of the original incarnation of the band and as this is kinda the pinnacle and the closer of the album i feel I wouldn't do it justice breaking it down and describing it to you I shall leave this one for those of you who purchase the album! Let me just say it's a masterful and powerful piece and just left me with my jaw on the ground and as an album closer it is pretty much perfection!

" A Harrowed Dawn" is most definitely one of my albums of the year for a band to pick themselves up from a blow like losing both your guitarists, reshuffle the line up and come back with an album as good as this is truly stunning, whilst early Iron Witch may have been a tiny bit derivative of their influences they have finally come into their own here this album whilst still retaining some of the original sound has moved these guys squarely into the same league as their contemporaries and the bands that influence them. If your a fan of heavy music then you NEED this album now forget anything you have heard or think you know about these guys this is one of the most crushing and vital debuts albums i have heard in a long time and is hopefully gonna draw these guys the audience they have worked so hard for and truly deserve!

Get the gorgeously packaged Vinyl & CD at Secret Law Records Site

Stream and download the album via

Deezer Google play Amazon Spotify & Itunes

Iron Witch online




Back catlog on Bandcamp

Iron Witch are doing a short tour with local heavy merchants The Bendal Interlude from personal experience of seeing both bands this is a gig you do not want to miss!!!!


Some of you may remember Sheffield's Kurokuma from my glowing review of their 2014 demo if not go HERE and read about the demo and clue yourself up about these guys as I'd like to do the review here and not repeat their history!These guys are back with a new 3 track EP named "Advorsus" and believe me it's a doozie!

 First off this EP has a HUGE sound courtesy of "Tich at the Mothership" I dunno who Tich is but he's done a stellar job for these guys because as well as keeping the sound heavy you miss none of the subtleties that make this band so original!

When I first hit play on "Advorsus" I was initially slightly disappointed sure it was mountainously heavy and great but I felt with this being their big debut EP I expected it would open more strongly but unlike other bands Kurokuma don't just burst out of the gate and maul you straight away they prefer to sneak up on you...then give you the aural mauling!

Opener "Lust" is a serious hellride of a song the main riff is a kinda cyclic thing that builds and changes subtly throughout so as you barely notice it rising but trust me it does, right up to the halfway point into a punishing squall before being punctuated brilliantly by cowbell this gives way to a pounding but kinda unusual drum beat where the riff changes very subtly into this weird rhythm and riff that for some reason reminds me of music for demented evil circus clowns!!! Now this may sound a bit strange but trust me as with their previous work and their tastes for the unusual this works perfectly!  This leads in to a fantastic epic break that reminds me of a break like modern crust bands such as Tragedy might use before continuing into the cyclic riffing and building on that epic break again to a nice faded ending! Whilst i mainly touch on the musical themes of the song I want to also mention that the bass in this song is phenomenal it sounds ferocious and is popping and roaring all the way through, providing an immense bottom end but also more than that it's like rhythm guitar actually being used to add a depth and texture to the music at the same time and is used with devastating effect! Top that with vocals that seemed to have gone even harsher since the demo and this will destroy your mind both on a level of sheer heaviness and just what the fuck are these guys doing!!! and all this is just in the first song!

Second Track "Dark Triad" clocks in at a near 8 mins opening with darbuka rhythms and Eastern flavored guitar picking the intro draws you in but when the darbuka drops out after a minute or so these guys hit you with a discordant riff which doesn't prepare you for the "drop" because when the bass kicks in it feels almost too early, though I think that is intentional and is a stroke of genius as when the guitars crash down like an avalanche it's just devastating, whilst you think they may have hit you with the best the layers of guitar just keep getting piled on to the point where it's almost claustrophobic in it's bleak and towering sound whilst managing to mutate into a bastardized sludgy head nodder of a riff, which is no mean feat! the trade off on the growled and anguished vocals add to this almost disparate and destructive sound the dynamic is upped by the drums underpinning an almost psychedelic lead break which is just insane and utterly compelling before returning to the sheer avalanche of heaviness before it all collapses slowly and beautifully to a glorious end and altogether just left me stunned!

Third and final track "Kali" is the most conventional of the three and i use the word conventional in reference to these guys very loosely it's a brooding number heavy and sludgy but with great use of dynamics and even has some "chugging" parts to the riff which is where I get "conventional" from but trust me this isn't some kinda lazy mosh-athon riding the "E" for heavy effect the main riff breaks into swirling bridges of psychedelic noise and anguished howls which are really powerful! also the lead break is just amazing just wailing under the crushing main riff with noises I haven't heard since the closing out solos on "Raining Blood" this track just pulses with menace and comes on like a flood of tar just dark and completely inescapable! when the song ended i literally went what the fuck? is that it over? i coulda listened to them hammer that riff for a good 5 mins more!! But i guess that's the key always leave them wanting more!

Kurokuma are one of the most unique bands in the underground scene right now whilst many bands play supremely heavy music and the NXNW area is rife with masters of the monolithic riff and that's no bad thing, it's why i do this blog, but Kurokuma are among a small handful of bands that come along now and again who exist within a scene and take it in completely new and fresh directions, often when bands add different elements to their sound it can get messy and occasionally just does not work however these guys who are, in places as stark and heavy as anything you care to mention can utilize elements like darbuka and psychedelic lead breaks along with riffs  and structures that are unusual yet still heavy and get your head nodding!! This to me is the sound of a unit who play well and play well together to create a sound that is unlike anything else on the heavy scene right now it's as twisted as it is groovy it feels oppressive and yet elates and this is something that is not come by without hard work and investment in your sound To take you on such a mad journey through a mere 3 tracks says to me these guys have barely yet reaching their full potential Odin help me and all of you when they go in to the studio for a full length! I for one cannot wait!

Buy The Cassette or Download at bandcamp

Here :

or Here :

Facebook Page :

Also Kurokama are about to do their first tour of the UK with the mighty Under (Read about Under HERE) I'll be at the Liverpool show I'd advise you clear your diary and get your ass out to see these guys or curse yourself later...

Thursday, 4 August 2016

Osiah - Terror Firma (Review by Brett Baker)

Since their inception in the 2012, Sunderland's Osiah have quickly become synonymous with creating a strain of technical deathcore like no other. Known for their disgustingly down-tuned guitars, punishing rhythmic precision and Gatling gun percussion, their debut album was always going to be highly anticipated. Terror Firma was released on June 24th via Siege Music, an independent label based in the UK and US, and blew all expectation out of the water. Seeing the bands already potent blend of slam infested savagery taken one step further. The record itself is a concept album of sorts depicting a world in pandemic, ruthlessly being destroyed by an “immortalising disease”. One with a purpose to destroy all concepts of religion, society and the economy. Ultimately causing the collapse of civilisation and thus forth bringing an end to mankind as we know it. The lyrics recount each evolutionary stage of the disease, from initial contraction and pandemic chaos, to the alteration of human genetics leaving some to combine with the virus. Forming a symbiotic relationship between parasite and host. A very fitting image given the way Ricky Lee Roper constructs his vocals. At times it is as if he becomes a vessel of demonic parasitic evil. Spewing forth sounds that are all together inhuman. Whilst the majority lurks around the bottom end of the spectrum, Ropers use of high inhales and exhales are second to none. Resulting in a style not too removed far from the lows of Alex Teyen spliced with the shrieking squeals and gargles of Steve Maoris.

However, the concept doesn't end in the lyrical department. Everything about this record screams disease and decimation. One thing that stands out straight away is the amount of powerful low end the band produce. On tracks such as The Harvesting and Planetary Infection you can almost hear society imploding and cities collapsing in on themselves. Combine that power with the bands unique way of constructing blistering breakdowns, and you're left with something that'll shake your bones to the core. An impeccable command of rhythm enables Osiah to create riffs that just keep hitting harder and harder. Whether that be suffocating downtempo sections such as those found on Humanimals, Conceived Through Ignorance and HV; or flesh hacking slams, slicing like a butchers cleaver on Brokden and Subterranean Refuge. All infested with short splurges of panic induced shred frenzies.

The level of depth possessed by this record is unbelievable. Every single track is drenched in layer upon layer, resulting in ominous soundscapes seething with misery. Warped guitars, synthesisers and samples create disorientating textures that sound like a disease seeping into the bloodstream, shutting down the nervous system and perplexing the senses. These are occasionally used to transition from one song into the next, connecting the album together as a flowing entity, giving it an overall soundtrack-esque conceptual finish. So if you're after a dose of sinister apocalyptic deathcore, there's no need to look any further than Terror Firma. Osiah have every base covered with such an impressive debut album. Follow the link below to grab your own copy of Terror Firma from Seige Music. Alternatively, you can stream the album via YouTube. This is not a band you should be sleeping on, as this release is already making big waves across the extreme metal community. Make sure you keep an eye on what the lads are up to via their social media and head out to a show near you. Having already destroyed the likes of Techfest this summer, they possess a live show that is not to be missed.


Physical CDHERE


Saturday, 2 July 2016


Ladies and Gentleman your attendance is mandatory...

Doomlines is what brought Holy Spider Promotions into existence last year - we threw it together at the last minute and it stuck. But this year we've had more time to plan and put the lineup together, so come and celebrate Holy Spider's 1st birthday and get down to a hand-picked selection of the slowest/dirtiest/straight-up heaviest underground UK bands. It's part of Sheffield's city-wide Tramlines music festival, and this year it will be held at the Yorkshireman Rock Bar.

† 10 bands from 2-11pm on the Saturday of Tramlines
† Wristbanded event so come and go as many times as you like - £6 OTD
† Under 18s allowed during the day if accompanied by an adult
† Plenty of merch and ale to spend your money on too

Possibly the most stoned-out band you will ever hear. Their music is the very definition of a bad trip. Featuring Adam Richardson of Ramesses.

Boss Keloid
Wigan's kings of sludge who just released the monstrous, Herb Your Enthusiasm on Black Bow Records.

This will be the Steel City sludge trio's only show over the weekend so come and get an aural mauling; "shudderingly heavy"...

Sheffield doom/post-metal heroes. Huge riffs, battle drums, songs about swords, beards galore.

Iced Out
A 50/50 mix of cryptic sludge and straight ahead hardcore makes for an absolutely crushing sound in the hands of these guys from Durham. Glad to have them back after their Holy Spider show in August last year.

One of the most creative bands we've come across yet, seriously! They're like the best bits of Melvins, Swans and Mr. Bungle all in one. Stockport's finest.

Formed after the breakup of Poison Dwarf and based in Huddersfield, this sludge trio write songs about cosmic annihilation. They put out a split with Nomad last year and we caught them when they played with Samothrace in Manchester recently. Impressive stuff.

Grim grind/black/doom/everything 2-piece from Nottingham.

A new band who've emerged from the burgeoning Sheffield doom scene. These guys are yet to play their first show but what we've heard is brooding, droning, dark, post-metal/doom goodness...

First show for another brand new doom/drone duo out of Sheffield. Featuring George from Kurokuma on drums.

Contact Joe of Holy Spider Promotions at for more info and guestlist. The doom documentary guys ( will also be there filming and grabbing interviews.

Monday, 27 June 2016


Under are quite a new band from the Stockport , Manchester area and are quite a bit different from even the varied styles that have been on the blog so far..
Their debut EP "First Attempt" is quite an unusual listen tho at first feels very familiar... Let's deal with the elephant in the room first.... so what's immediately apparent is these guys obviously LOVE Melvins as soon as the first song "Trading Tokens" started first thing i could think of was Melvins that stop start format the haunting Buzzo-esque vocals however whilst this is an apparent feel throughout these guys are definitely doing something different with the format and musically are hard to pin down the song structures are fairly twisted and very off kilter not too far removed from the madder timings and structure of the recent Boss Keloid album NOT that they sound like them at all they were the only other band i could think of that were that crazy!

The Melvins comparison may be selling these guys a little short here, there's a lot to this band the songs have so many parts to them it's hard to single one out for praise best way I can describe them is think of the heavier end early AmRep bands like Jesus Lizard and Helmet take away the noisier parts and add a healthy dose of chunky metal guitar and you'll get the picture. There's a lot of work been put into crafting the songs on this 3 track EP  The 7 minute "Suicide By Cop" has some great chiming guitar and ethereal vocal melodies that build and build into a nice heavy but differently heavy conclusion these guys go less for the head smash it's more gently massage your brain with riffs!!!

These guys are (without sounding like a prick here) quite a "cerebral" band it's not something you can turn on and not pay attention to nor is it something that you can immediately get into from first listen it is quite a challenging sound and one i think maybe some people might find hard to get into it's quite awkward sounding but repeated listening will bring rewards. I can imagine that these guys could easily have written plenty of big fat riffs and pounded you into the ground like a fence post but instead they have spent obvious time crafting a challenging and original sound that separates them from other bands in the scene whilst as i said there are some derivatives (The Melvins influence) they have taken that sound and done something completely their own with it the same as 90% of the bands I listen to have with Sabbath so it's no big deal really.I hope these guys get to reaching more people they have a forthcoming second EP which i for one can't wait to hear Go give them a like on facebook for more news on that.

Here's some links you can buy a download of their "First Attempt" EP on bandcamp and go like them on facebook to keep up to date with current news. So go check em out give your ears and your brain a treat definitely a band to watch....

"First Attempt" EP - Bandcamp

Facebook page - HERE


Since their release of Born of a Cancerous Womb in 2014, the band have quite obviously been flexing their creative muscles. Due to be released this July, It Came To This contains all the grinding death metal sensibilities you'd expect from Cancerous Womb. But there appears to be a few added extras thrown into the mix. It seems that over the past two years the Scot super-posse, featuring members of Crepitation and Narayana, have adopted a no-holds-barred attitude towards their sound. If there was ever a box to stick a band in, this lot definitely aren't in it. In fact, they're a a hundred feet away in the opposite direction, armed with four tracks of utter sonic mayhem. Locked, loaded and ready to blow the thing to pieces. If you're the kind of fan who likes their listening material strictly genre specific, then this probably won't be a release for you. It is impossible to put your finger on where the record will turn to next. Old school death metal grooves bend into angular, disjointed, attacks of angular noise. Side to side hardcore stompers give birth to raw grind frenzies in the blink of an eye. All in all resulting in a tightly packed ticking time bomb of manic listening.

Opening track "The Shrieking Of Idiots" is the most reminiscent of the bands early works. With insane amounts of groove, grim tremolo sections and frantic guitar work. Proving that the grindcore inspired approach to death metal, that won the four piece so many fans in the first place, is still alive and well. But, whoever said, “Start as you mean to go on.”, clearly forgot to mention it to these lads. The following track Formless is exactly as it's namesake suggests. A mind bending, ear melting, warped audio maelstrom. All tightly wrapped up into just under one minute. If you can imagine the sound of a fist fight between Miles Davis, Terrorizer and a tribe of rabid chimpanzees, you may be close. Isolation Frenzy takes it back to where The Shrieking Of Idols left off. Forming an amalgamation of raw grind abrasiveness and the occasional urgent, yet fluid, math-rock guitar runs. If the past three tracks are anything to go by, the band clearly have a few Napalm Death records in their collection. Just to make things clear though, a sickeningly heavy cover of When All Is Said And Done closes the EP. It's always risky business covering such a revered cult classic, but Cancerous Womb pull it off flawlessly. Retaining all it's original violent fervency but with their unique twist.

Whilst every riff, drum groove or vocal pattern may not stand out as instantly memorable, it doesn't seem to matter all that much. It's the way in which they are dynamically spliced together that draws the listener in. The unpredictable nature of each track is what makes this record come alive. Whilst there may be some feathers rustled amongst label obsessed pigeon-holing purists, one thing is for certain. It Came To This is cued to be one of the most talked about releases of the summer. Regardless of the fact that they've been active for almost a decade, the band continue to push their boundaries whilst growing from strength to strength. If your mouth isn't already watering at the thought of another Cancerous Womb full-length, a taste of this EP will definitely do the trick.

Listen & Preorder the EP & More on BandcampHERE